By the resolution of the Government of the Republic of Kazakhstan dated March 14, 2025, changes and additions were made to the activities of some special economic zones of the country. According to this legislation, the Aktau airport was included in the SEZ "Aktau Seaport". According to the new regulation, a special economic zone is located in the territory of Mangistau region, in particular, in the territory of the Aktau city, Munaily, Karakiya and Tupkaragan districts. It was established in order to improve the legal norms of market relations, introduce modern methods of management and business management, develop multimodal hubs, transport and logistics, increase the tourism potential of the region, create a highly efficient, competitive tourist infrastructure that meets the needs of Kazakhstani and foreign tourists, as well as solve social problems. In the first phase of the project, the runway and apron will be overhauled, the existing terminal will be modernized and a new VIP terminal will be built. And in the second stage, a new logistics center equipped with a second runway and customs warehouses - a multimodal transit hub will be launched.It is planned to create 720 new jobs within the framework of the project. In addition, the passenger flow will increase to 2.5 million people per year. The amount of cargo transported through the airport will increase from the current 3,000 tons to 100,000 tons. From an economic point of view, the domestic regional product of Mangistau region is expected to increase by 12 percent and reach 3 trillion tenge.After the project is fully implemented, the number of domestic and international tourists coming through Aktau International Airport is planned to reach 600 thousand people per year.Press service of the mayor of Mangistau regionSource : https://www.gov.kz/memleket/entities/mangystau/press/news/details/961504?lang=kk

Expanded hardware council of the ministry was held under the chairmanship of Yerbol Myrzabosynov, Minister of Tourism and Sports of the Republic of Kazakhstan. Representatives of ministries, heads of regional sports departments, heads of departmental organizations and some regional akims' deputies took part in the council. Tourism issues, including the plan to open play areas for foreign citizens, were discussed at the council. Opening of game zones exclusively for foreign tourists will improve the tourism infrastructure of the region, increase the flow of new tourists and create additional jobs. During the meeting, the implementation of the tasks given by the Head of State at the IV National Congress was elaborated. In particular, the issue of repairing football stadiums and developing this sport was raised. Football is a sport of great mass and social importance. By involving children and youth in football, problems related to gambling and drug addiction can be prevented.Also, it was said that the influence of destructive religious currents is increasing among young people. This trend is also observed in the field of sports. Therefore, it is necessary to take appropriate measures to prevent the spread of negative currents and ideologies. It is especially important to ensure stability in the field of sports and prevent the spread of any radical ideas.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/961382?lang=kk

On March 15, 2025, within the framework of the joint project of the Ministry of Digital Development, Innovation and Aerospace Industry of the Republic of Kazakhstan and the United Nations Development Program in the Republic of Kazakhstan (hereinafter referred to as UNDP), project management training was held on the basis of the simulation game "SimulTrain". is an innovative method of teaching. During the simulation, the participants made decisions on time, resources and finances and were able to assess the consequences of their decisions, which allowed for the development of planning, risk management, effective allocation of resources and communication skills, which contribute to the improvement of the efficiency of project and program management. Toleushin and Deputy Permanent Representative of UNDP in Kazakhstan S.F. Khodzhimatov made a congratulatory speech.About 45 people, including political civil servants, as well as employees of the Presidential Administration, Government Office, central state bodies and akimats, attended the training. related.Information:"SimulTrain" simulation game partners IPMA (International project management association), KPMA (Kazakhstan project management association), IPM2 (International project management masters).Source : https://www.gov.kz/memleket/entities/mdai/press/news/details/960598?lang=kk

Buses will be free for the participants of the national costume festival "Best Fest Nauryz", which will be held in Aktau on March 22, the great day of the nation.According to Asemgul Adambay, the organizer of the national costume festival, the festival will start at 9:00 a.m. on March 22 and last until 12:00 p.m.Also, public buses in the city and region will be free for all participants of the festival with a bracelet badge.Source : https://www.gov.kz/memleket/entities/mangystau/press/news/details/960515?lang=kk

The main heroes of the evening arethe Astana Opera Chorus and Symphony Orchestra. Honoured Worker of Kazakhstan Yerzhan Dautov will be conducting.The unique combination of delightful operatic melodies and exquisite choral parts will undoubtedly delight the audience.It is known that after the work’s premiere, Giacomo Meyerbeer sent Rossini an enthusiastic letter with the words, “May God graciously allow you to live a hundred years and create a few more of these masterpieces, and may He let me live as many, so I can admire these new works of your immortal genius!”Petite Messe Solennelle (Little Solemn Mass) crowns the list of works of one of the greatest and most prolific European opera composers Gioacchino Rossini –the author of more than 40 operas. He composed the mass during his retirement from operatic career. Petite Messe Solennelle is a musical conclusion and contemplation of the composer’s eventful life.Thework was namedPetite Messe Solennelle not because of its size, but because of rather austere original accompaniment – piano and pump organ or harmonium (an instrument similar to physharmonica). The author rightly chose such accompaniment, as an orchestra would have emphasized to the higher degree the operatic nature of Rossini’s style that he was unable to hide. The orchestrated version was first performed after the composer’s death. This is the version which will be presented to the audience of the Astana Opera. Petite Messe Solennelle is a bright and pure composition.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/30094?lang=kk

A graduate of the master’s program of Arizona State University (USA), specializing in Opera Singing, finalist of the regional stage of the Metropolitan Opera National Council Auditions competition (2006, USA) Yevgeni Chainikov is actively mastering the opera house’s repertoire. Among the particularly memorable portrayals created by Yevgeni Chainikov at the Astana Opera – Zhirenshe in the opera Abai by A.Zhubanov – L. Khamidi, Scarpia in the opera Toscaby G. Puccini, Amonasro in the opera Aidaby G. Verdi. The new hero in his repertoire is Sharpless, the United States consul at Nagasaki.“I started working on this part at a very young age, wanted to sing it for a long time. Nevertheless, in order to feel and understand my character, inner maturity is a must. With age, I began to rethink the opera Madama Butterfly. It is a very touching story. I see Sharpless, as, first of all, humane, paternal, and caring. He warns Pinkerton not to play with love, because then young Butterfly would begin to trust him and truly fall in love with him, which is exactly what happens afterwards. Sharpless can only observe it all from the outside, empathizing with the title character. At the moment I am working not only on the vocals, but also on the character portrayal. I watched many different world productions, and I try to find the fine line not to overplay and to not seem implausible,” shared Yevgeni Chainikov.It is interesting that ever since the premiere, for a year already, the son of Yevgeni Chainikov– Nikita Chainikov participates in this production, he plays the role of Butterfly’s son.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/29533?lang=kk

At the moment, the Astana Opera Ballet Company has already started rehearsals at the New Stage of the eminent St. Petersburg opera house. On the other hand, even before that Mariinsky Theatre Orchestra had begun working on the score together with their Kazakhstani colleagues: Music Director of the production Arman Urazgaliyev, soloist of the Astana Opera Symphony Orchestra, Honoured Worker of Kazakhstan Bagdat Abilkhanov, concertmaster of flutes Alexey Kosyrev, harpist Lyubov Tkachenko and three musicians of the percussion group.“The upcoming performance at one of the world’s major opera houses is a great honor and responsibility for us. Strong and productive collaboration between the two companies is continuing for more than a year. We are certainly delighted that the Saint Petersburg’s audience is showing a great interest in our tour, we hope that the performances will be held with great success,” said the General Director of the Astana Opera Galim Akhmedyarov.A masterpiece of French choreography, created in 1965 on the novel by Victor Hugo, to this day continues to be relevant. This is proved by endless interest of the audience for this production. Sophisticated, impeccable taste, inexhaustible imagination and thirst for innovation of its authors – winner of three Academy Awards, avant-garde composer Maurice Jarre, a recognized ballet classic of the XX century Roland Petit, one of the best fashion couturiers of all time Yves Saint Laurent and the famous theatre designer Rene Alliot – served as a basis for the creation of this miracle – a true ‘gem’ of neoclassicism.Let us remind that at the new Stage of the Mariinsky Theatre the part of Quasimodo will be performed by the Grand Prix winner of numerous international competitions Bakhtiyar Adamzhan, Honoured Worker of Kazakhstan Rustem Seitbekov, Esmeralda – Honoured Workers of Kazakhstan Aigerim Beketayeva, Madina Basbayeva, Phoebus – international competitions laureates Olzhas Tarlanov, Arman Urazov, Frollo – international competitions laureates Gaziz Ryskulov, Serik Nakyspekov. The Artistic Director of the Astana Opera Ballet Company – People’s Artist of Russia Altynai Asylmuratova.The performance of Notre Dame de Paris at the Astana Opera was received with great enthusiasm by both the audience and the critics. The production has taken a special place in the opera house’s repertoire. Art critic Lira Bekbolatova expressed her admiration for the ballet on the pages of the Esquire magazine, “It is no exaggeration to say that the Notre Dame de Paris was the most extraordinary premiere of the Astana Opera.” Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/29390?lang=kk

-“I would like to thank the Minister of Culture and Sports of Kazakhstan Arystanbek Mukhamediyuly for the support of the Astana Opera tour. Thanks to cultural exchange, we grow as performers, and have the opportunity to present our creative work to audiences in different cities and countries, which is very important for us. Today’s performance was a great success. We, the artists, felt the audience, the warmth and delight with which we were received by the Almaty listeners, and we give our thanks for their love for high art,” said Honored Artist of Kazakhstan Maira Mukhamedkyzy.This evening the leading roles were presented by the artists of the capital’s opera house. Honored Worker of Kazakhstan Sundet Baigozhin brilliantly performed the title role, both in the vocal and acting aspects. International competitions laureate Meir Bainesh beautifully performed the part of Aidar. Honored Artist of Kazakhstan, opera prima Maira Mukhamedkizy in the role of Azhar showed wonderful acting skills, her voice sounded soft and velvety. Scholarship holder of the Foundation of the First President of the Republic of Kazakhstan – Leader of the Nation Tatyana Vitsinskaya performed the role of Karlygash. Talented Talgat Galeev presented the part of Kokbai. Azim – Beimbet Tanarykov, People’s Artist of Armenia Barseg Tumanyan portrayed Syrttan, Evgeni Chainikov sang Zhirenshe. Narymbet – Ramzat Balakishiyev, Mes – Haidar Mustapin.“It was a very interesting performance. It is a classic example of national opera with splendid scenery and costumes, melodic richness of folk songs and dances. Of course, such names as M. Auezov, A. Zhubanov and L. Khamidi make this opera immortal and brilliant. All the artists were at a good level today, the orchestra and choir sounded great! I will say only one thing: “Astana Opera, bravo!” listener Dulat Omarov shared his impressions.Prominent cultural, political and public figures praised the performance of Abai. Among them are Alibek Dnishev, Asanali Ashimov, Yesmukhan Obayev and many others. During the intermission, they noted the virtuosity of the conductor, the scale of his personality, spoke about the quality work of the vocalists.“I was very impressed with the new edition of the opera, magnificent sets and costumes. The finale of the opera Abai makes us proud of our country, our history, our literature, our people,” the famous Kazakh opera singer Alibek Dnishev said after the performance.“The tour is taking place within the framework of the remarkable program “Rukhani Zhangyru”. It gives an opportunity to show the whole world the high level of culture of our country. I am very pleased with this tour, as our opera houses conduct creative dialogue, strengthen our friendship. Today we performed in the Southern capital of Kazakhstan, at the Abai Opera House – ‘Kara Shanyrak’ of our operatic art. Here the premiere, the birth of the opera Abai took place in 1944. This performance is an important exam for our company. The Almaty audience is very enlightened, cultured, and its incessant, stormy ovations, which sounded today, were a great reward and high appreciation of our work,” maestro Alan Buribayev said.Principal Conductor of the Astana Opera added that it is not his first production of Abai, stressing the international significance of this opera.“In 2013, I realized a new production of the opera Abai in Germany, which was a huge success. Moreover, this was the year of the 200th anniversary of composers R. Wagner and G. Verdi. It is impossible to imagine any world opera house without their works. Three productions were nominated for the Production of the Year – Das Liebesverbot by R. Wagner, Un Ballo in Maschera by G. Verdi and Abai by A. Zhubanov, L. Khamidi, and the on the anniversary year of R. Wagner and G. Verdi, the opera Abai was named the Production of the Year! The work conquers its listeners. In 2014, with the company of the Abai Opera House we performed this opera in France, where it was a resounding success. I always advocate Kazakh art and whenever I play with orchestras I try to include Kazakh symphonic music in the program. I recorded the dances from the third act of the opera Abai – the Wedding suite – on the BBC Radio 3 in London. The last time I played dances from Abai in Japan, and one of the leading Japanese newspapers Yomiuri Shimbun expressed their delight with our music. As soon as people hear this opera they come and say to me: “Give me the score! How can I learn more about this opera? Who is Abai?”... The opera Abai opens the hearts of people of different nations like a key!” Alan Buribayev added.“I used to think that Kazakh operas, first and foremost, are interesting for us, because it is important for us to learn more about ourselves, but it turned out that the music of this opera is universal, it is perceived with equal enthusiasm all over the world. The opera Abai has become a hallmark of our art. We will always perform this opera, and there will always be a special reverent attitude towards it. Abai is a sacred subject for us,” the maestro concluded.Stage Director – Giancarlo Del Monaco, Set Designer – outstanding contemporary set designer Ezio Frigerio, Costume Designer – the Academy Award winner Franca Squarciapino, Projection Designer – Sergio Metalli, Lighting Designer – Vinicio Cheli. The Astana Opera Choir and Symphony Orchestra. Principal Choirmaster – Honoured Worker of Kazakhstan Yerzhan Dautov.Let us remind that tomorrow, on February 11, there will be a second performance of the opera Abai. A young promising singer, marvelous mezzo-soprano, international competitions laureate Malika Minisini will debut as Karlygash. Baritone Yerzhan Saipov, who is preparing the part of Kokbai, will also be debuting that evening. The ballet Manon by the famous 20th century choreographer Kenneth MacMillan will be featured on February 14 at 19.00. The ballet Notre Dame de Paris by outstanding French choreographer Roland Petit to the music of Maurice Jarre, which will be held on February 17 and 18 at 18.00, will conclude the tour.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/29230?lang=kk

“Performing national opera is always great responsibility, because you must worthily present one of the outstanding achievements of the musical art of Kazakhstan, and also correctly interpret the masterpiece created by composers A. Zhubanov and L. Khamidi. I have been working on the role of Karlygash for a long time. It is an important part, difficult from the acting point of view. My heroine has an incredible sense of humor, intelligence, sensitivity and tenderness. The first appearance of Karlygash onstage must create a joyful, positive mood. Kokbai and I are introducing new festive emotions into the performance, as Abai gives us the task of holding the Betashar ceremony and preparing for the wedding. I want to thank the Maestro Alan Buribayev for his trust and support. It was very comfortable for Yerzhan Saipov and me to work with our colleagues who already performed this opera more than once. They gave us valuable advice. It is very important for us that this debut took place within the framework of the tour to Almaty at the alma-mater – Abai Opera House, it is a great honor for us,” the Astana Opera soloist Malika Minisini said after the performance.The operatic masterpiece is based on the libretto by the great writer Mukhtar Auezov. The narrative is based on dramatic events from the life of the great Kazakh poet, educator and philosopher Abai Kunanbayev (1845-1904).“My wife and I are regular viewers of the Abai Opera House. We often listen to the Almaty company’s performance of this opera, but we will remember today’s performance for a long time. This production can be called the pinnacle of understanding of national classics. It is amazing that the opera retained the original author’s version. In the scene where the stunningly gorgeous library is revealed, there was an overall awe of the audience, the auditorium was incredibly surprised! We certainly appreciated the young vocalists; there was a strong cast of performers today. They confidently presented each of their respective parts, and were very well prepared,” Azamat and Dinara Salikovs noted.Let us remind that the main parts were presented today by Honored Worker of Kazakhstan Zhanat Shybykbayev in the title role, Honored Worker of Kazakhstan Nurlan Bekmukhambetov in the role of Aidar, Azhar – Honored Worker of Kazakhstan Saltanat Akhmetova. Karlygash is an international competitions laureate Malika Minisini. Kokbai – Yerzhan Saipov, Syrttan – international competitions laureate Bolat Yessimkhanov and others.Music Director and Conductor – Honored Worker of Kazakhstan Alan Buribayev, Principal Choirmaster of the Astana Opera – Honored Worker of Kazakhstan Yerzhan Dautov, Stage Director – Giancarlo Del Monaco (Italy).The Almaty tour of the Astana Opera is taking place from February 10 to 18 within the framework of the program of the President of the Republic of Kazakhstan Nursultan Nazarbayev “Rukhani Zhangyru” (Course towards the Future: Modernization of Kazakhstan’s Identity) on the international project Modern Kazakh Culture in the Global World and it is organized by the Ministry of Culture and Sports of the Republic of Kazakhstan.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/29225?lang=kk

“Just like Kyz Zhibek, I myself come from Akzhayik. This part is closest to me among all the national operas. As I grew up in these parts, I know the local traditions. This music is in our blood, these songs are familiar to everyone from a young age. From the age of three, with a handkerchief in my hands, I sang songs that were included in the opera Kyz Zhibek. When scenes from the opera Kyz Zhibek were staged in our district, in his youth my father always performed the role of Tolegen. As a student, I have read two versions of the great epos, and for the first time I portrayed Kyz Zhibek in my fourth year in the conservatory. Now I will perform the part of Zhibek in a new way, not only in terms of artistry, but also vocally: my way of thinking and world perception have changed since my last appearance in this role, and new colors have appeared in my voice,” Aizada Kaponova said.There are many tasks before the performer, character interpretation is extremely important. Kyz Zhibek is the embodiment of beauty. She possessed such qualities as wisdom, courage and strength of character, was a masterful horse-rider. The most difficult part in this role is performing Zhoktau – Zhibek’s song-lament for her deceased beloved at the end of the opera. It is necessary to convey your feelings to the audience, while retaining control over your own emotions.Aizada Kaponova has graduated from the Kazakh National Academy of Music with a major in Vocal Arts (class of Professor, Honoured Artist of Kazakhstan K. Omarbayev). The singer’s skill were marked by victories at international competitions, she is a laureate of the Second Prize of the International Competition-Festival of Creative Youth “Shabyt” (Astana); laureate of the First Prize of the International Vocal Competition (Almaty); Winner of the Grand Prix at the N. Tlendiyev International Competition-Festival (Astana). The singer’s repertoire includes leading roles in classical operas, such as Sara, Altynai from the opera Birzhan–Sara by M. Tulebayev, Azhar from the opera Abai by A. Zhubanov, L. Khamidi, Zhibek from the opera Kyz Zhibek by Y. Brussilovsky, Mamyr from the opera Kalkaman–Mamyr by B. Kydyrbek, Violetta from the opera La Traviata, Gilda from the opera Rigoletto by G. Verdi, Olympia from the opera Les Contes d’Hoffmann by J. Offenbach, the Queen of the Night from the opera Die Zauberflöte by W.A. Mozart, Lucia di Lammermoor from the eponymous opera by G. Donizetti.The first Kazakh opera Kyz Zhibek was created 83 years ago based on the libretto of the outstanding playwright and novelist Gabit Musrepov. The opera was based on the eponymous folk lyric-epic poem about the tragic love of Zhibek and Tolegen. In his score composer Yevgeny Brussilovsky used Kazakh folk songs, kuys and works of folk composers – Ybyrai, Mukhit, Zhayau Musa, Tattimbet. The most significant of these works was the aria of Kyz Zhibek, which in fact is a song of akyn Ybyrai Gak-ku – a poetic interpretation of a swan song.Let us note that Honoured Artist of Kazakhstan Zhannat Baktai is also preparing to perform the part of Zhibek. Honoured Workers of Kazakhstan Medet Chotabayev and Zhan Tapin will perform the role of Tolegen, Bekezhan – Honoured Worker of Kazakhstan Sundet Baigozhin, Talgat Galeyev. Shege – Beimbet Tanarykov, Ramzat Balakishiyev, Bazarbai – Honoured Worker of Kazakhstan Zhanat Shybykbayev, Bolat Yessimkhanov, Kamka – Honoured Worker of Kazakhstan Dina Khamzina, Gulzhanat Sapakova, Karlygash – Honoured Worker of Kazakhstan Aigul Niyazova, Madina Islamova, Batsaiy – Malika Minisini, Duriya – Honoured Worker of Kazakhstan Bibigul Zhanuzak, Yelena Ganzha.The Astana Opera Symphony Orchestra, Choir and Children’s Choir, Conductor – Honoured Worker of Kazakhstan Abzal Mukhitdinov, Principal Choirmaster – Honoured Worker of Kazakhstan Yerzhan Dautov. Stage Director – Principal Stage Director of the Bolshoi Theatre of Belarus Mikhail Pandzhavidze, Consultant – Honoured Worker of Kazakhstan Askhat Mayemirov, PhD, Set and Costume Designers – Sofya Tasmagambetova and Pavel Dragunov, Choreographer – Mukaram Avakhri, Head of Children’s Studio – Altynganym Akhmetova.The performances start at 18:00.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/28846?lang=kk

M. Tulebayev’s lyric-dramatic opera to the libretto of K. Jumaliyev was first presented on November 7, 1946, at the Abay Kazakh Opera and Ballet Theatre. Over 72 years, the opera Birzhan – Sara has gained international fame: it was presented in Moscow on December 6, 1958, at the decade of Kazakh art. It was very successful in Berlin and Dresden (1986). Later the libretto was translated into Turkish, and it was performed in Samsun in 2013, as well as in Istanbul, Bursa, Eskisehir and Ankara in 2014. In the same year the Astana Opera Company performed this opera in Russia at the Mariinsky Theatre.Birzhan – Sara is a true treasure of Kazakh opera art. A decision to breathe new life to this national classical masterpiece was made at the capital’s opera house. Thanks to the latest modern theatrical technologies, the opera is adapted to the technical equipment of the stage, and exclusive solutions of the production team are incorporated.The production team is represented by: Stage Director – Honored Worker of Kazakhstan A. Mayemirov, PhD, Consulting Director – Principal Stage Director of the Bolshoi Theatre of Belarus, laureate of the G. Tukai State Prize of the Tatarstan Republic M. Pandzhavidze, Music Director and Conductor – Honored Worker of Kazakhstan A. Mukhitdinov, Choreographers – Honored Workers of Kazakhstan T. Nurkaliyev, A. Tati. Assistant Directors - Y. Nursultan, Y. Toikenov. Set and Costume Designers – S. Tasmagambetova and P. Dragunov. Music Editor – T. Zharmukhamet. Lighting Designer – J. Pantani, Projections Designer – S. Metalli. Principal Choirmaster – Honored Worker of Kazakhstan Y. Dautov.The new director’s version differs from the previous ones by the scale of its form. This means that all scenes will be expanded. All kinds of attributes of fairground festivities will be presented to the audience, and in order to recreate a realistic atmosphere, animals will take part in the production.In addition, the performance concept is distinguished by its lack of one-sided character interpretations. The love story of Birzhan and Sara, which didn’t find a place on this earth will be presented to the viewers. Traditionally, the opera ends with the death of the protagonist, but the directors want to leave the light at the end of the tunnel, so that the audience understands that the sacrifice, made in the name of love, was not in vain. The story of Birzhan and Sara made it possible for thousands of descendants to unite, and it remained in people’s memory as a symbol of the great power of love, inciting us to incredible actions.Anything Impossible is PossibleLooking at the sketches, it seems impossible to make such beautiful scenery a reality. Phenomenal technologies are used in the performance for the first time: beyond belief, several tons of water will be used onstage. Pictures of the rich Kazakhstani nature are implemented both in rigid sets and in 3D projections. It should also be noted that this production is created in a cinematic way.Sofya Tasmagambetova and Pavel Dragunov began working on the sketches in the fall of 2017. The designers admit that it was not easy to undertake a national production. The set and costume designers do not have the right to make a mistake; they must bring something new into the opera and surprise the viewers without violating national style.“Labor-intensive work was done to create outfits for three ballet scenes, each of which includes 48 artists. The costumes for the choir artists are very bright and rich. Therefore, the most important task for us was to make the lead characters even more colorful and expressive. Birzhan’s noble attire states his status and age. Sara’s wedding dress is very delicate. The vest is made in the national style, embroidered with gold-colored metal ornaments. We wanted to make the bride herself like a jewel. The fabrics’ texture was chosen taking into account new technological possibilities, modern materials are very high-quality, and their color range is diverse,” said Sofya Tasmagambetova and Pavel Dragunov.It took a little less than half a year to manufacture the props. The craftsmen worked according to updated technologies. Now, stools, a closet and chests are not just painted, but decorated with relief patterns, which were created with the use of a milling machine, on which ornaments are cut. In addition, complex metal work was carried out. There is also pottery: several dozen jugs were prepared. There is a lot of incuse in this production: all the belts are decorated with intricate patterns, prop masters laboriously worked for at least 3 hours over each detail. There are about 100 such belts. A team of prop masters worked on spears and arrows. A clock made of real wood deserves particular attention. The craftsmen needed carpentry skills to manually make small details. The gramophone has also drawn our attention. It looks very plausible, and even though it does not play, its task is to convey the atmosphere of that time. Artistry in the Highest Sense of the WordThe props have already been transferred to the rehearsal halls, so that the artists can get into characters using everyday objects in various scenes.Not every singer can portray Birzhan, as it is very complex, large, requiring gathering all strength. Laureates of many international competitions Meir Bainesh and Beimbet Tanarykov are preparing to present this role. Charismatic singer Meir Bainesh more than once brilliantly performed this part at the Astana Opera. Beimet Tanarykov performs the role of Birzhan throughout his creative career. The soloist puts meaning into every word, reinforcing them with his gestures and facial expressions. A vocalist’s work on a role is similar to the processing of a rough diamond and turning it into a beautiful gem. The soloist has a beautiful vocal timbre and stunning artistry.Honored Artist of Kazakhstan, opera prima Maira Mukhamedkyzy will be debuting in the role of Sara. Wonderful soprano, Honored Artist of Kazakhstan Zhannat Baktai has already performed the role of jealous Altynai in this opera, but she will also portray Sara for the first time.“My dreams are coming true, I wanted to perform this role for a long time, but I always thought that I was not ready for it, because I understood that you need to have enough experience to interpret it. Sara has a strong temper, a strong character. From the vocal point of view, this is also a difficult part, which requires a classical performance. Thus, I compare Mukan Tulebayev’s opera Birzhan – Sara with G. Puccini’s operas, which reflect great dynamics. I will try to perform it in the Italian manner of sound, so that every word is clear,” Maira Mukhamedkyzy said.Music Director and Conductor, Honored Worker of Kazakhstan Abzal Mukhitdinov noted that in order to survive and remain in demand any scenic music performance should fully comply with the dictates of the times.“The operas Abai and Kyz Zhibek, staged over a year ago, are still being sold out. However, for the opera Birzhan – Sara there is a need for a new staging. The composer Mukan Tulebayev’s music is very bright, beautiful and singing by nature. It is known that he himself was a professional vocalist. In the opera Birzhan – Sara the composer used musical quotes of national akyns, the song Aitpai is an exposition of the main character,” Abzal Mukhitdinov shared. Maestro also emphasized that there are three masterpieces of Kazakh opera art in the Astana Opera’s repertoire. All of them are staged at the highest world level, and today Kazakh opera is experiencing a flourishing and is in demand of listeners. Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/28726?lang=kk

Splendid artists – Honored Workers of Kazakhstan Zamilya Jarkimbayeva (soprano) and Zhan Tapin (tenor), international competitions laureates Tatyana Vitsinskaya (mezzo-soprano), Azat Malik (baritone) will share with the listeners the world of personal experiences and sentiments reflected in the vocal lyrics of the 19th century. The viewers will also be able to appreciate the performance of talented cellist, international competitions laureate Askar Mukanov. Piano – international competitions laureate Raushan Beskembirova.The rich concert program will feature operatic and chamber-vocal works of Mikhail Glinka, Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergei Rachmaninoff. Numerous works of these outstanding composers are still very popular among the audiences of different countries, winning listeners and musicians with their perfection.Everyone’s favorite romances – Somneniye (Doubt), V Krovi Gorit Ogon Zhelaniya (In the Blood Burning Fire of Desire), Adel by M. Glinka, Skazhi, o Chem v Teni Vetvei (Tell Me, What in the Shadow of the Branches), Sred Shumnogo Bala (Amid the Din of the Ball), Primireniye (Reconciliation) by P. Tchaikovsky, Nimfa (The Nymph) by N. Rimsky-Korsakov and many others will be presented. Fragments from the famous operas will also be performed, such as Lensky’s aria from the opera Eugene Onegin by P. Tchaikovsky, Marfa’s aria from the opera The Tsar’s Bride, the Indian Guest’s song from the opera Sadko, Levko’s aria from the opera May Night by N. Rimsky-Korsakov and others.The works offered to the residents and guests of the capital are distinguished by sincerity, depth, expressiveness, grace, aesthetic nobility. The soloists noted that this evening they will go on the Chamber Hall stage with special feelings. Their task is to communicate to the viewers a vivid thrill of emotions in all genuineness and completeness, according to the original idea of the authors, to convey every nuance, smallest detail or musical intonation.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/28357?lang=kk

“If we compile a list of the five best Italian operas, G. Puccini’s La Bohème will certainly be among them, so we decided to choose the popular work of an outstanding composer for the tour. G. Puccini talks about the real life of ordinary people of his time, and for over a century this opera remains one of the best in the world repertoire. The opera house’s company is assiduously preparing for the performance, as we want to give a real celebration to the public of Karaganda. I would also like to note that on May 27 we are expecting a reciprocal tour of our colleagues from Karaganda. At the Astana Opera Main Hall, they will present a concert From Karaganda, With Love, featuring striking symphonic masterpieces of the twentieth century composers,” said the Director of the Astana Opera, Honored Worker of Kazakhstan Galim Akhmedyarov.Honored Artist of Kazakhstan Zhannat Baktai will perform the role of Mimi, Rodolfo – Honored Worker of Kazakhstan Nurlan Bekmukhambetov, Marcello – Honored Worker of Kazakhstan Talgat Mussabayev, Schaunard – Yevgeny Chainikov, Colline – Shyngys Rassylkhan, Musetta – Honored Artist of Bashkortostan Alfiya Karimova, Alcindoro – Bolat Yessimkhanov, Benoit – Talgat Galeyev, Parpignol – Beimbet Tanarykov, Sergeant – Nurlybek Kosparmakov.La Bohème is an Italian opera, distinguished by an amazing subtlety of feelings. Its action takes place in the Parisian Latin Quarter on the Christmas Eve. All the characters are young. They are poor intellectuals, inhabitants of the Parisian garret: the poet Rodolfo, painter Marcello, musician Schaunard and philosopher Colline. Poverty is their constant life companion, but they do not lose courage and have fun even when there is no rent money to pay their landlord or no firewood for the fireplace. There is a place for joy, poetry, friendship and love in the daily life of these young people.Let us remind that the first tour of the Astana Opera to Karaganda took place on April 20 and 21, 2017, when K. Orff’s outstanding work – the cantata Carmina Burana and a Gala Concert were presented to the Karaganda audience.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/27791?lang=kk

The name of this famous set designer is known all over the world. Ezio Frigerio’s contribution to art is invaluable. His works in the field of musical theatre were a breakthrough in the development of modern scenic design. Frigerio’s productions of G. Verdi’s operas Simon Boccanegra (1971) and Falstaff (1980), R. Wagner’s Lohengrin (1981), W.A. Mozart’s Le Nozze di Figaro (1973) and others, realized in collaboration with stage director Giorgio Strehler, received world recognition and became the twentieth century classics.He has created set designs for many famous opera and ballet productions at the Astana Opera. Together with his wife, an Academy Award-winning costume designer Franca Squarciapino, they have made a significant contribution to the development of the Kazakhstani musical theatre. On their account, there are exclusive productions in the capital’s opera house: Abai by A. Zhubanov and L. Khamidi, G. Puccini’s Madama Butterfly, G. Bizet’s Carmen, S. Prokofiev’s Romeo and Juliet, P. Tchaikovsky’s The Sleeping Beautyand The Swan Lake, B. Asafiev’s The Fountain of Bakhchisarai, L. Minkus’ La Bayadère and Don Quixote.“The productions that you have created for the Astana Opera became hallmarks of our Kazakhstani art. Undoubtedly, they are a part of the world treasury of opera and ballet masterpieces. We hope for further fruitful collaboration and wish you long life and good health,” said the Minister of Culture and Sports of the Republic of Kazakhstan Arystanbek Mukhamediuly.In turn, Ezio Frigerio warmly thanked the country’s Government, the Minister of Culture and Sports of the Republic of Kazakhstan Arystanbek Mukhamediuly, the management of the Astana Opera for the high award, noting that it is an honor for him to be the first Italian to receive the Order of Dostyk. The set designer especially emphasized the importance of the support of the culture of Kazakhstan provided by the Head of State Nursultan Nazarbayev. The set designer noted that the cultural bridges between Kazakhstan and Italy have become much stronger in recent years.Let us remind that by the Decree of the President of the Republic of Kazakhstan, Ezio Frigerio was awarded the Order of Dostyk of the II degree for his significant contribution to the cultural development of the country, strengthening of friendship and cooperation between peoples. The Order of Friendship (Order of Dostyk) is a state award of the Republic of Kazakhstan. It is awarded to individuals for the promotion of international and civil consensus in society and the promotion of peace.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/27770?lang=kk

“We have been preparing for this concert for about two months already. The new program features various numbers, including the march from G. Bizet’s opera Carmen, the Kazakh folk song Yapyrai, as well as an excerpt from G. Puccini’s opera Turandot, which will be premiering very soon at the Main Hall. Partly we will show the repertoire from the V theatrical season. There are kids in our studio who have been studying from the moment of its opening until today, and there are children who came here about two or three years ago. The pupils of the children’s studio, who are studying and performing at the Astana Opera for all these five years, set the level for the collective. These guys aspire to make the high art their profession, many of them have already decided for themselves that their future careers will be connected with the opera house,” says the head of the children’s choir Altynganym Akhmetova.In this concert, many boys will be performing solo numbers for the first time. The boys from the younger group will perform the popular repertoire of the Italian singer Robertino Loretti: Santa Lucia, O Sole Mio, Funiculì, Funiculà and others. Girls from the older group prepared a complex program, they will present polyphonic works. Young dancers of the ballet studio prepared a rich program. Thus, the evening will feature such numbers as the Kazakh folk dance Sholpy, a variation from J. Bayer’s ballet Die Puppenfee (The Fairy Doll), a polka from L. Minkus’ ballet La Bayadère, Kitri’s variation from L. Minkus’ ballet Don Quixote and much more.The goal of the Astana Opera Children’s Studio is to enable children to discover their creative potential and develop their talents.“The young artists reached the first anniversary with great achievements: the studio graduates are already studying at universities in Kazakhstan, near and far abroad. Young singers and dancers participate in concert programs, opera and ballet productions and even go on tour together with adult artists. The children who have a great interest in art, good scenic qualities and musical abilities are engaged in the studio. The youngest studio artists today are 7 years old. It is very important for us to help children express their individual personalities to the full. If the child consciously chooses the profession of an artist or a musician, he or she will have very high achievements. If they do not follow this path, they will undoubtedly have achievements in other areas, because, thanks to acting skills, acquired in childhood, they will become unselfconscious and free. All this helps them to achieve greater goals in their adult years,” explains the stage director of the Astana Opera Natalya Kagadiy.The audience can see the pupils of the choir studio in Y. Brussilovsky’s opera Kyz Zhibek, M. Tulebayev’s Birzhan – Sara, G. Puccini’s Tosca and La Boheme, G. Bizet’s Carmen. The students of the ballet studio performed onstage together with the artists of the legendary Milanese Teatro alla Scala in the production of L. Minkus’ ballet Don Quixote, and in Richard Wagner’s opera Das Rheingold (The Rhinegold) within the framework of the Mariinsky Theatre tour. For the first time, the pupils of the choir and ballet studios took part in a unique project – The Journey of Peer Gynt, involving the symphony orchestra, as well as the adult artists.The head of the choir studio is Altynganym Akhmetova; the head of the ballet studio is Amina Aliyeva. The Astana Opera stage director, the acting coach of the children’s studio is Natalya Kagadiy.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/27754?lang=kk

There are big-name theatrical figures on the production team: Music Director and Conductor – Honored Worker of Kazakhstan, celebrated maestro Alan Buribayev, Stage Director – famous Italian director Davide Livermore, Set and Costume Designers – well-known Kazakhstani designers Sofya Tasmagambetova and Pavel Dragunov.The opera Turandot was performed for the first time on April 25, 1926 in Milan. Giuseppe Adami and Renato Simoni wrote the libretto based on the eponymous play by C. Gozzi. They set their story in an exotic distant country: the action takes place in Beijing (China). The stunningly beautiful Princess Turandot gives three riddles to the princes. If they fail to solve the three riddles, they are beheaded, and whoever finds the answers will be given her hand in marriage. Prince Calaf decides to woo Turandot at any cost, and, after answering all of her questions, asks her his riddle – to guess his name.In C. Gozzi’s fairytale, the composer G. Puccini saw a protest against violence and the eternal idea of ​​the victory of light over the darkness.“I think this is a very important production for the Astana Opera. Incidentally, not every opera house can afford to add such a grand opera, which involves a huge number of artists, to its repertoire. Turandot completes a glorious tradition of Italian operas, which lasted and developed for 300 years. Over the years, G. Puccini has come a long way to this opera, and it can be called the culmination of the composer’s findings. Such operas were no longer created in the entire international community. The choir plays a very important role here, it is constantly onstage, - said the Music Director and Conductor Alan Buribayev.Maestro A. Buribayev has known the stage director for a long time, but this will be their first joint work. The Principal Conductor of the Astana Opera speaks warmly about Davide Livermore. Let us remind that the director Davide Leavermore during his 22-year career at the leading European venues and in the opera houses of his native Italy mastered many theatrical specialties: stage director, set, costume and lighting designer... He has worked with outstanding performers, among them Luciano Pavarotti, Placido Domingo, Jose Carreras, Mirella Freni, with famous directors – Luca Ronconi, Andrei Tarkovsky and Zhang Yimou, as well as with the world-renowned maestro Zubin Mehta. One of the last works of the Italian director – G.F. Handel’s opera Tamerlano was a triumphant success at the legendary Teatro alla Scala.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/27742?lang=kk

Talented musicians, international competitions laureates – artists of the Astana Opera Symphony Orchestra violinist Assel Zhakiyanova and cellist Botagoz Kaliyeva, as well as pianist Zhanna Zdornova will present their art to the residents and guests of the capital.“This concert marks a debut performance of our trio, which is a great responsibility for us. This kind of music-making is different from what we do in our everyday life, and that is very interesting. Every instrument’s role is tremendously important, and all of them must interact with each other. The preparation process for the concert has been going on for several months. We have devoted a lot of time and attention to the selection of the program, which includes both popular works and rarely performed opuses. For example, A. Piazzolla’s Tango Revolucionario for trio will be performed in Astana for the first time. Undoubtedly, there is excitement and creative enthusiasm. It is very important for us to convey to the audience the beauty of this music, to share all the feelings and emotions that we experience when we come into contact with it,” said Assel Zhakiyanova.The artist noted that the idea of joint creative work was born in a friendly conversation.“We work together with Botagoz Kaliyeva in the Astana Opera Symphony Orchestra. She is one of the best cellists in Kazakhstan and has given concerts in Italy, Germany, Spain, Japan, Russia and other countries. Pianist Zhanna Zdornova, just like me, is a graduate of the Kazakh National University of Arts, and now we are studying together at the M. Glinka Novosibirsk State Conservatory,” shared Assel Zhakiyanova.The extensive concert program features masterpieces of romantic composers, as well as a passionate tango. F. Mendelssohn Bartholdy’s Piano Trio No.1 in D Minor, op.49, movement 1, F. Schubert’s Sonata for Violin and Piano in A Major, op.162, movement 1, J. Brahms’ Sonata for Cello and Piano No.1 in E Minor, Op.38, movement 1, F. Kreisler’s Zigeuner Capriccio, A. Piazzolla’s Tango Revolucionario for trio, P. Tchaikovsky’s June(Barcarolle) from the cycle The Seasons for trio, S. Rachmaninoff’s Vocalise, op.34, No. 14 (arrangement for cello and piano), A. Skriabin’s Poème, op. 32 No. 1 and 2 will be performed.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/27692?lang=kk

At the heart of the opera Turandot is the 12th century story about the love of Turandot and Calaf. At one time, it captured the attention of the playwright C. Gozzi, and he wrote a fairytale based on it. This fairytale caught the fancy of the outstanding composer G. Puccini, who created the priceless work that is now a part of the world opera treasury.The world premiere of Turandot took place in Milan on April 25, 1926. The composer died before completing his work on the opera, and all future performances ended with the final duet and finale written by Franco Alfano based on the author’s notes.The heroes of the Italian commedia dell’arte are portrayed in this opera as calculating Chinese officials, performed by the soloists of the China National Opera House. Turandot (the Austrian dramatic soprano Martina Serafin and the Kazakh opera diva Zhupar Gabdullina) represents in this opera the personification of cruelty and unattainable beauty. In order to take revenge on all men, she comes up with trials for her suitors – three riddles, and those who cannot solve them will be immediately executed. Only the Unknown Prince Calaf (the Bulgarian tenor Kamen Chanev), who is in love with her, passes the test. Due to the strength of his feelings and ingenuity, he solves all three riddles and is now ready to melt the heart of the headstrong princess, but only after she guesses his name.Turandot’s RiddlesZhupar Gabdullina – Turandot – is diligently preparing for the upcoming premiere. The artist explains that she has already been performing this part for a long time, consequently, it is up to the stage direction now: learning the mise-en-scenes and putting into action the ideas of Davide Livermore.“On account of the beauty of my heroine, the princes’ heads roll. Before Calaf, 14 of the princess’ suitors died. In many other productions where I happened to perform this role, the appearance of Turandot onstage was akin to ice that cools everything around her. In the libretto, she is only 14 years old. Therefore, in this production, the stage director interprets her actions from a psychological point of view. At one time, her grandmother was cruelly violated by some foreigners, so Turandot takes vengeance on all men in her name. Since birth, not a single one of them has touched her yet. Calaf’s right answers to all her riddles bring her great pain and disappointment. The princess says, “I will let you go, go your own way”, but meets resistance. In response, she receives a riddle from the protagonist, which she cannot solve. This is a really difficult role, and I will do my best to try to create this character, to convey to the audience the director’s main idea. According to Davide Livermore’s vision, Turandot is feminine, lithe; all of her movements are very pliant, which attracts men. In regard to vocals, hard work is to be done as well,” said Zhupar Gabdullina.Martina Serafin is also preparing the part of Turandot. The world-famous opera singer shared her impressions of her work in Astana.“The Astana Opera is a beautiful opera house, very well organized. For me, as an opera singer, acoustics are important, and the acoustics here are very good. Working with the conductor was a big pleasure. I also had a wonderful time working together with my colleagues – Kazakhstani singers and with the orchestra, which has a very beautiful sound. I have found very professional atmosphere here. The Stage Director Davide Livermore is giving his all to this production. He is working with every choir artist as if each of them were a soloist. He focuses on the characters emotions. Turadot is a role that I love very much, and sing a lot in my life. I am quite happy to share my interpretation with the audience of Astana. I would like to congratulate the people of Kazakhstan on the significant date – the 20th anniversary of the capital. I know that this performance is dedicated to the celebration of the anniversary, and I am happy to be a part of this event,” said Martina Serafin.Honored Artist of Kazakhstan, state prize laureate Maira Mukhamedkyzy and Honored Artist of Kazakhstan Zhannat Baktai, who has repeatedly interpreted this role at various international venues, will perform the fragile slave girl Liu, who is in love with Calaf.This will be the debut performance of this part for the opera prima Maira Mukhamedkyzy.“This defenseless girl with incredibly powerful inner energy amazes me very much. Such a strong love is rarely found on this earth, not everyone is given the opportunity to feel it. The audience remembers Liu by her heroic deed. All three arias that I have to perform are very difficult. The first aria is tender and exquisite; here she declares her love for Calaf, talks about her feelings. In the second aria, I must convey a storm of emotions raging in my heroine’s chest, because her beloved first saw Turandot and went crazy for the beautiful princess, not hearing or seeing anything around him. Liu cannot accept this, but her heart is still full of love. And since fate has decreed that they are not destined to be together, Liu kills herself, saving Calaf. Thus, the emotional, impassioned Liu is a contrasting character. She is the opposite of the cold Turandot. What is the difficulty in performing this part? The need to simultaneously deliver dramatic acting, meanwhile not forgetting about the technically complex vocals,” noted Maira Mukhamedkyzy.Director Davide Livermore has already worked at the Astana Opera in 2017 as a jury member of Placido Domingo’s Operalia, World Opera Competition. He was happy to accept the opera house’s invitation to stage G. Puccini’s opera Turandot. “I am very happy to be here, and I also feel great joy that our countries are united by a cultural bridge. I am grateful to the opera house’s management for the opportunity to work in this wonderful opera house again. I came into contact with Turandot for the first time when I was 6 years old. My father gave me a CD with the recording of this opera. The part with the children’s choir performance impressed me back then. After learning this excerpt, I often sang it in my room. Hence, this opera is with me since childhood. There are very distinctive characters in it. I believe that every person living on this earth can also be a prince, in another period of his life finding the traits of Ping, Pong and Pang within himself. Well, right now Calaf is the closest to me. I would like to experience life and believe in love, like he does,” shared Davide Livermore. In the Spirit of Showmanship…Set and Costume Designers Sofya Tasmagambetova and Pavel Dragunov suggested an interesting design concept for this production. It consists of mixture of styles, but the Chinese symbolism still remains the key element. The audience will see a fantasy China, as described by the author of the libretto, therefore there is a freedom of ideas for the designers here. For the first time, ultramodern technologies will be used, creating various bright effects. The appearance of a dragon and horses, as well as a spectacular stage transformation will add color to the production.The set and costume designers’ ideas were implemented by the experienced craftsmen of the Artistic and Production Complex, headed by Victor Carare.“For the first time at our opera house, we will use video projections on LED backdrops, which move around the stage throughout the performance. They simultaneously complement the frontal and rear projections, which consist of screens 24 meters wide and 15 meters high. To the surprise of the audience, it will be raining in the first act, and the water will be absolutely real. A unique combination of light and video content will create one of a kind theatrical magic. Incidentally, the light plays a very important role in this production. Among other things, we have built lifting mechanisms for the titular character, which will be appearing from under the ground, and be raised about 3 meters above the steppe (!). The Restoration and Craft Shop is finishing the work on the palace and columns; the Prop Shop has also carried out a large volume of work. With each new production, we are writing an unparalled theatrical history, gaining experience, which allows us to implement the most incredible projects at a very high level. This way, the viewers who come to us, enter a special world,” emphasized Victor Carare.              “Turandot is a very rich artistic material. First of all, we were guided by the director’s vision, the technical equipment of the stage, which we tried to make the most of. The space will transform, at times becoming immense, and at times more compact. Having studied the history of the productions of Turandot, I will definitely say that our production does not repeat any of the previous international versions. The Astana Opera production will have a unique blend of Asian and Chinese styles, that is, there will be a symbolism of these two cultures in the sets,” explained Set and Costume Designer Sofya Tasmagambetova.  The color palette both in the costumes and the sets is rather restrained, which carried particular significance. On the contrary, this ‘non-brightness’ makes it possible to highlight the most important thing, which is the action. Black and white colors create a specific shadow accent.“We used silk to make the costumes, but to a greater degree we utilized one of the more expensive fabrics – jacquard. Trimming and decorating are secondary here, and tape, braid or buttons are not at all characteristic to this production. The difficulty was in the use of specific Chinese cutting techniques, which the Costume Shop tailors know very well. In addition, fabric texture was very important. Its main function is keeping the shape of the costumes. The main heroine Turandot is always in front of the audience, which makes for a new task – costume changes need to take place right onstage. Thus, four different cloaks will alternately complement the base outfit. The princess’ last dress is red. In total, we have made 247 costumes, which took more than 2 thousand meters of fabric. Such a large amount is due to the choir artists’ costume changes. Initially we planned for them to be in the same costumes throughout the entire production, but then it was decided to increase that by another costume change,” concluded the set and costume designer.In Detail about the Little ThingsThere was a serious task before the Prop Shop – to create many intricate details, painstakingly encrust the ministers’ orders, chisel medals for the princes, which will then decorate the lapels of their costumes. Incidentally, the military theme is a common thread running through the production here. Halberds for the executioners and guards, combat swords, short swords, ritual swords, curved sabers made of metal and wood stretched out on the carpenter’s machine serve as a confirmation of this. Prop masters carefully carve out the grips of the weaponry, and, instead of the usual steel, use aluminum for the tips. Only then all this beauty is decorated and finished with leather. In addition, the craftsmen made swallows on sticks, which will be used in dance scenes. In order to create the flight effect, the wings were made of fabric so that they can easily move.The manufacturing technique for umbrellas, fans, staffs requires a lot of time, their coloring is characteristic of the Eastern culture. The work on making traditional Chinese straw hats is no less laborious. They were made from papier-mâché, taking into account a special form, which was decorated with twine on top. Such a head piece weighs about 400 grams! Attention is also paid to the armor manufacture, of which there are 22 pieces. It takes 200 pieces of leather to make each one of them.Musical WorldThe Astana Opera Symphony Orchestra and Choir under the baton of the Music Director and Conductor Alan Buribayev rehearsed for several months in order to achieve filigree sound. A particular importance is placed on the choir, which has a paramount role in this opera. Principal Chorus Master of the Astana Opera, Honored Worker of Kazakhstan Yerzhan Dautov honed the skills of not only the Astana Opera Choir artists, but also those of the artists of the China National Opera House.It is known that the composer G. Puccini worked on the opera Turandot from the summer of 1920 until his death in the year 1924. At the premiere of the opera at the Teatro alla Scala, the music suddenly stopped in the middle of the final act: Arturo Toscanini laid down his baton, turned to the audience and announced: “Here the opera ends, because at this point the maestro died.” Franco Alfano, a friend of Puccini, who had achieved international recognition with his opera Risurrezione twenty years before, completed Turandot, using Puccini’s draft of the final duet, which he had at his disposal. This version of the finale will be performed at the Astana Opera.The opera Turandot is the Astana Opera’s twenty-fourth premiere. The production without a doubt can be called larger than life. Thanks to the titanic work of the production team, residents and guests of the capital will definitely enjoy this spectacular performance.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/27544?lang=kk

The international music festival of nomadic culture Nomad Way 2018, dedicated to preserving the heritage and popularizing the culture of nomadic tribes, will be held in the capital from June 22 to 24 in the beautiful Amphitheater on the embankment of the r. Yesil. The event was organized by the Ministry of Culture and Sports of the Republic of Kazakhstan in conjunction with the project The Spirit of Tengri in celebration of the 20th anniversary of the city of Astana.The International Music Festival of Nomadic Culture Nomad Way, which has become one of the most sublime cultural holidays of the country, was organized by The Spirit of Tengri project supported by the Ministry of Culture and Sports of the Republic of Kazakhstan in 2017.Every year Kazakhstan welcomes the brightest stars of nomadic music culture among Turkic peoples and fraternal nations of the Great Steppe.This year, the Nomad Way Festival presents a three-day show featuring the most popular artists in ethno-world genre on the Kazakh land.One of the key ideas of Festival is that the artists from 20 countries of the world should perform Kazakh folk music in addition to their own program.The audience of the Festival should expect three days of a fiery celebration of music, only live sound, a magnificent light show, incredible energy and a full immersion into the amazing atmosphere filled with the stunning sounds of traditional instruments.The festival is devoted to preserving the heritage and popularizing the culture of nomadic peoples.The line-up of the Nomad Way Festival includes the iconic representatives of music culture of their countries.As a part of celebration of the 20th anniversary of Astana, 18 unique original music groups from all over Eurasia will come up on stage of the Nomad Way Festival 2018.The line-up (19 music bands):Aldaspan (Kazakhstan) Tilla Török's Band (Hungary)Argymak (Bashkortostan)Gulzada (Kyrgyzstan)Abbos (Uzbekistan)Namgar (Buryatia)Radik Tyulyush & Chalama Project (Tuva) Islam Satyrov (Stavropol Krai)Khoomei Beat (Tuva)Zaman (Bashkortostan)Shono (Buryatia)Baba Zula (Turkey)Bolot Bairyshev & Belukha Jam (Altai)Avesto (Tajikistan)Ayarkhaan band / Chyltys Tannagasheva / DJ Nariman Issenov (Yakutia / Mountain Shoriya / Kazakhstan)Svjata Vatra (Ukraine/ Estonia)Yedil & Satzhan project (Kazakhstan)Huun Huur Tu & DJ Carmen Rizzo (Tuva/USA)The first day of the Festival of Nomadic Culture Nomad Way 2018 will be opened by the Kazakh ethno-rock band Aldaspan - a unique music band who play the electro-dombra. The content of the band's lyrics is military, praising man's valour. The songs of the band include ancient Turkic fighting epics full of courage and glorifying feats of heroes.AVESTO is one of the leading ethno-jazz bands of the country. AVESTO's music is very diverse with traditional styles, modern swing, jazz-rock, modal jazz, bebop, free jazz represented in it. The musicians synthesize modern jazz music and oriental ethnic music culture.Ethno-rock band Argymak is the flagship of modern ethnic music of Bashkortostan. The fundamentals of the Bashkir band are national musical instruments: qurai, dumbyra, kubyz, kyl-kubyz, throat singing in combination with guitars, bass and drums and other ethnic music instruments from all over the world.Kyrgyz music culture at the Nomad Way Festival is represented by singer Gulzada. In her music Gulzada Ryskulova lies on various genres and styles mixed with Kyrgyz traditions. and easily adapts rock, jazz and electronics to folk music. Gulzada Ryskulova is a bright representative of the national culture of Kyrgyzstan.The Abbos band represent Uzbek musical culture at the Music Festival of Nomadic Culture Nomad Way. Abbos became famous thanks to its founder, the famous performer on the doira and other national instruments, Abbos Kasimov, well-known far beyond Uzbekistan. The members ofthe band also skillfully play the karnay, surnay, rubab and tanbur.Buryat musical heritage at the Music Festival of Nomadic Culture Nomad Way will be again represented by the project Namgar. The band has its name on behalf of the lead singer Namgar Lhasaranova, who is not just a singer, but also plays the yataga, a beautiful Buryat instrument.The second day of the Music Festival of Nomadic Culture Nomad Way will be opened by the legendary Tuvan musician, master of throat singing Radik Tyulush with his project Chalama and accompanied by bass player Sergei Kalachev and percussionist Gennady Lavrentiev who plays tabla, the Indian drums.For the first time Music Festival of Nomadic Culture Nomad Way presents Islam Satyrov. The musician represents the distinctive culture of the Nogai ethnos - the ancient Turkic-speaking tribe with the richest history, originating in the Golden Horde. Islam Satyrov's music is a unique synthesis of ethnics and contemporary music styles. His songs are about historical events and patriotism as well as love.The new generation of Tuvan musicians - the Khoomei Beat band - are going to perform for the first time at the Music Festival of Nomadic Culture Nomad Way. The musicians mix expressive rock with a bit of casualness of pop music in a very elegant way.Ethno-project ZAMAN (Bashkortostan) is a Bashkir music band who perform in the genre of World Music and sing primarily in Bashkir. The band's repertoire includes original songs and contemporary arrangements of Bashkir folk songs.The stage of the Music Festival of Nomadic Culture Nomad Way for the second time welcomes a fiery band from Buryatia - Shono. The founder of the band Alexander Arkhincheyev sings, using both the regula vocal technique and throat singing. Moreover, Alexander plays various ethnic musical instruments: string moriin-huur, sukha-huur and wind limbe.Moreover, Alexander plays various ethnic musical instruments: string moriin-huur, sukha-huur and wind limbe. Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/27244?lang=kk

The Artistic Director of the Astana Opera Ballet Company, People’s Artist of Russia Altynai Asylmuratova continues to enrich the repertoire of the capital’s opera house with gems of world choreography. At the initiative of Altynai Asylmuratova, unique novelties in the world of ballet will be presented to the audience. High art connoisseurs will certainly enjoy the choreography of the renowned ballet masters, which is unlike anything in the world.The Evening of Contemporary Choreography consists of two parts. A philosophical reflection on time and its specific moments awaits the audience in Raimondo Rebeck’s one-act ballet How Long is Now?The choreographer himself says that Now can have a different span at different moments of life. A lover feels that a kiss can last for an eternity, and the memories of suffering can last forever or disappear without a trace...In Raimondo Rebeck’s ballet, three pairs of ballet dancers symbolize different stages of a person’s life. The talented choreographer makes an original attempt to investigate time, its flow and perception through choreographic means.Another equally vivid one-act ballet by Ksenia Zvereva Sounds of Time is based on Adam Kapanov’s libretto Celestial Nomadic Travelling to the music of Aktoty Raimkulova. Set design by Riccardo Massironi.At the heart of the ballet is the story of lovers, whose fathers were ordinary people, while mothers were celestial nomads. The main characters Ansar and Nuriya unknowingly possess ancient magic and find themselves in a whirlwind of amazing events. They face good and evil, love and hatred, self-sacrifice and egotism on their way. However, this fascinating story, filled with magic and spirit of times, will be transferred to our modern world. The protagonists’ mysterious powers and magic amulets will take new forms, and the heroes’ character traits and actions will become recognizable for modern viewers. The performance will reflect the contemporary world, its current problems, relationships between people, and different segments of society and their values. Thus, the densely eventful plot of the ballet, where myth and reality are intertwined, will eventually lead to the ideas that have always been, and will continue to remain outside the concepts of time and space.Source : https://www.gov.kz/memleket/entities/tsm/press/news/details/27123?lang=kk